Print-making is a rich heritage craft that intertwines history, culture, and artistry, offering a window into the narratives and identities of various communities. With roots dating back to ancient techniques such as woodblock printing, this art form has been passed down through generations, maintaining its significance in artistic expression and communication. The diverse methods—ranging from relief printing to lithography—reflect not only the creative ingenuity of different cultures but also the shared values and stories that connect individuals to their heritage. The tactile nature of materials used in print-making, such as handmade paper and natural inks, further emphasises the craftsmanship involved, enriching the narrative of belonging and cultural identity that is central to our understanding of place and ancestry. It is a more colourful and accessible way of being able to connect to and feel my way into my body. The layering is a stim for me.

The concept of duality in print-making resonates deeply within the themes of my project, particularly as it relates to family, identity, and the experiences of belonging and unbelonging. The distinction between the intricate processes involved in creating a print and its final outcome highlights the interplay between labour and artistry, engaging both the maker and the viewer in a conversation about creativity and heritage. Additionally, the tension between individuality and community is mirrored in the way print-making allows for personal expression while simultaneously resonating with broader cultural themes. This duality captures the essence of belonging—where one’s identity is both shaped by personal experience and intricately linked to the collective narratives of the landscape, folklore, and familial ties that define our sense of home. DYCP funding went to learning print-making with Faye Haskins.